I’ve always been fascinated by the stories of outsiders. I’m probably attracted to the topic because I come from a couple of misfits who reared me in a small town in the deeply conservative South. My mom is an irreverent, Socialist, Croatian immigrant with half a dozen kids, and my dad a curmudgeonly polyglot who loves books more than people. First as a journalist, then as a historian, I’ve long studied the economies and cultures created by those systematically marginalized or merely with a healthy disdain for the mainstream—enslaved people, queers, disenfranchised women, downtrodden artists, poor immigrants. The books here all capture things that make our society beautifully textured, diverse, and resilient.
I wrote
From Goodwill to Grunge: A History of Secondhand Styles and Alternative Economies
This is a biography of familial resilience, both personal and national. I love this book because it remedies one of modern history's most deafening archival silences by giving enslaved Black women a voice.
Deftly, Tiya Miles paints a portrait of revolutionary generational love using a plain cotton bag. Ashley’s mother, Rose, gave her this sack right before Ashley was sold away from her in 1850s South Carolina. An African-American legacy of strength and creativity is literally embroidered on this sack by subsequent generations, serving as an archive of Black women’s experiences.
After reading this book, visit the artifact itself at the National Museum of African American History and Culture in D.C. to drive home all the feelings.
NATIONAL BOOK AWARD WINNER * NEW YORK TIMES BESTSELLER * WINNER OF THE CUNDILL HISTORY PRIZE
'A remarkable book' - Jennifer Szalai, The New York Times 'A brilliant exercise in historical excavation and recovery' - Annette Gordon-Reed, author of The Hemingses of Monticello 'A history told with brilliance and tenderness and fearlessness' - Jill Lepore, author of These Truths: A History of the United States
In 1850s South Carolina, Rose, an enslaved woman, faced a crisis: the imminent sale of her daughter Ashley. Thinking quickly, she packed a cotton bag with a few items. Soon after, the nine-year-old girl was…
This book taught me that there are always sources for determined historians to find on any topic. Like most good stories about subcultures, It reveals the influence of the marginalized on the mainstream, even when it’s been hidden from history.
Chauncey explodes the false perception that gay men before the 1960s did not share a common culture but were closeted and isolated from each other. I love his humanizing use of unpublished personal sources like diaries. He also reveals how the pathologizing of homosexuality by medical professionals accidentally supported the creation of vibrant gay communities.
Rarely have I learned so much from such an engaging book. This is my favorite history book of all time.
The award-winning, field-defining history of gay life in New York City in the early to mid-20th century
Gay New York brilliantly shatters the myth that before the 1960s gay life existed only in the closet, where gay men were isolated, invisible, and self-hating. Drawing on a rich trove of diaries, legal records, and other unpublished documents, George Chauncey constructs a fascinating portrait of a vibrant, cohesive gay world that is not supposed to have existed. Called "monumental" (Washington Post), "unassailable" (Boston Globe), "brilliant" (The Nation), and "a first-rate book of history" (The New York Times), Gay New Yorkforever changed how…
The Not Quite Enlightened Sleuth
by
Verlin Darrow,
A Buddhist nun returns to her hometown and solves multiple murders while enduring her dysfunctional family.
Ivy Lutz leaves her life as a Buddhist nun in Sri Lanka and returns home to northern California when her elderly mother suffers a stroke. Her sheltered life is blasted apart by a series…
Thanks to this book, I know that a great biography can also serve as a penetrating lens into an era. Yes, this is a book about Janis Joplin, but I do not value it because I care particularly much about the tragic specifics of her life, as much as I respect her music.
I love this book because it serves as a deep dive into the links between the often tritely-considered 1960s triumvirate: sex, drugs, and rock ‘n’ roll. Echols does not lightly throw around the word “counterculture”—that’s a big pet peeve of mine—but takes the reader on a tour of the making of a clear and specific cultural divide that’s still very much with us today.
No mistake, though; it is also an empathetic tale of a sensitive and era-defining musician.
The undisputed queen of sex, drugs and rock n' roll was also the voice of a generation who, when she overdosed on heroin at the age of twenty-seven in October 1970; became the posthumous icon of bad girl femininity for millions around the world. Drawing on hundreds of interviews Echols renders Joplin in all her complexity, revealing how this sweet-voiced girl from Texas recreated herself, first as a gravely-voiced bluesy folksinger, and then as rock n' roll's first female superstar. Echols examines the roots of her musicianship and her efforts to probe the outer limits of life; declaring herself the…
This book shows how fashion can be a powerful political tool and how subcultures can effectively fight back against oppression. From the civil rights movement to anti-apartheid activism in the 1980s, Black women all over the world used elements of “soul style” to physically defend themselves and advocate for equality. Along the way, they forged a universal identity that helped create solidarity and refute ideologies of racial inferiority.
I personally value how Ford’s insight into the expressive power of fashion has cleared a sartorial path for cultural historians working in all areas. I also deeply admire her clear and captivating storytelling chops, which make this book feel perpetually relevant.
From the civil rights and Black Power era of the 1960s through antiapartheid activism in the 1980s and beyond, black women have used their clothing, hair, and style not simply as a fashion statement but as a powerful tool of resistance. Whether using stiletto heels as weapons to protect against police attacks or incorporating African-themed designs into everyday wear, these fashion-forward women celebrated their identities and pushed for equality.
In this thought-provoking book, Tanisha C. Ford explores how and why black women in places as far-flung as New York City, Atlanta, London, and Johannesburg incorporated style and beauty culture into…
Tina Edwards loved her childhood and creating fairy houses, a passion shared with her father, a world-renowned architect. But at nine years old, she found him dead at his desk and is haunted by this memory. Tina's mother abruptly moved away, leaving Tina with feelings of abandonment and suspicion.
I consumed this book like a favorite meal after a fast. Patti Smith writes about the creative and destructive demimonde of the 1960s and 1970s in New York City from an insider’s perspective and with a unique poetic flair. This autographical account of the art and music (and drug) scene surrounding the iconic Chelsea Hotel is both keenly insightful and achingly personal.
Peppered with unavoidable historical depth about gender and sexuality, Just Kids reveals the glory and misery of creative pursuit in a changing urban context. Smith brings the same lyrical passion to the book that she’s bestowed upon her impressive body of musical, visual, and poetic work. Let the words fall over you like a favorite record turned up to ten.
“Reading rocker Smith’s account of her relationship with photographer Robert Mapplethorpe, it’s hard not to believe in fate. How else to explain the chance encounter that threw them together, allowing both to blossom? Quirky and spellbinding.” -- People
It was the summer Coltrane died, the summer of love and riots, and the summer when a chance encounter in Brooklyn led two young people on a path of art, devotion, and initiation.
Patti Smith would evolve as a poet and performer, and Robert Mapplethorpe would direct his highly provocative style toward photography. Bound in innocence…
Thrift stores, flea markets, and garage sales are subcultures of capitalism. They are nimble forms of commerce, filling in spaces left by changes in firsthand sales. Like most subcultures, they’re not always popular with everyone. Once, getting clocked wearing secondhand meant social death in many circles.
Early in the twentieth century, the germ theory, class anxiety, and antisemitism stigmatized used clothes. But by the 1990s, when Kurt Cobain reigned the airwaves, dressing in visibly used and outdated rags conveyed a kind of hip cultural cachet. Meet the surrealist artists, Broadway singers, feminists, queer performers, Beat poets, war protesters, rock stars, gay activists, and Christian missionaries who made high-end vintage and boho chic what it is today.
